In the late autumn of 1975, after all the Glastonbury Prints
orders had been dispatched, our employees manfully donned boiler suits and
began working on Number 10.
The shop of course had been properly fitted out by
professionals and opened at the end of November (see last chapter), but the men
now began putting up work benches etc. in the three rooms directly above the
shop, ready for our move from 5A, while the girls painted everything including
the three offices on the top floor.
(These became our flat after 1981).
I think some tidying up also took place in the Billiard Room at the rear
of the property – it is a pity I haven’t photographs of the tanks etc. which
had been painted on the walls when the Americans were here before D-Day in
1944.
Another couple of rooms opening off the long back passage on
the first floor were made into the rest room and kitchen, the latter being a
very narrow slip of a room which bore the words “Troop Office Keep Out” on the
door. The lavatory on the first floor
landing was renovated by Eric Lukin’s father, 70 year old Bill Lukins. For some reason the old ceiling had to be
brought down, and here is the photo of Bill, covered with plaster. It was always known as “Bill’s loo” after
that.
There was of course another lavatory on the ground floor
which served the employees working in the shop, which Boots must have converted
from the old air raid shelter, leading off the stockroom. We would have employed quite a few people in
this building in our heyday, and I think there were more lavatories next to the
rest room.
Except for the front shop and the stockroom, most of the
ground floor was still unused. There
were four staircases leading up to the first floor with another steep
twisting staircase going up to the top floor offices at the front of the
building. The main staircase led from
the side door under the alleyway to the first floor landing. If one walked from the stockroom on the
ground floor into what must have been the old kitchen (extended into ground
floor shop in about 1980), a tiny staircase led up
inside a cupboard to a landing on the first floor where a door opened onto the
“sandy passage” (from Beatrix Potter’s Mrs Tittlemouse), which led past the
lavatories and rest room to the Billiard Room.
This door had been kept locked by Boots after the war – they just
allowed the greater part of Number 10 to become virtually derelict.
Half way down this passage there was a wooden staircase
leading to another derelict room on the ground floor. Lastly, there was a stone staircase from the
Billiard Room down to the open alleyway (over which we owned the flying freehold),
which housed the Ice House where we had found the Borough Council records and
the Invasion Committee War Book, and the former entrance to the Abbey under the
whalebone arch. It is this part of the
building which our daughter Ruth has developed into a flat on the first floor
and her version of “Glastonbury Galleries” on the ground floor, next to the
Assembly Rooms.
One always had to plan one’s route to various parts of the
building and work out which staircase would be most appropriate.
Now it is January 1976 and we must brace ourselves for the
spring trade shows. We hadn’t yet moved
everything from 5A of course, as the new workrooms weren’t ready, and the Old
Ciderhouse continued to produce frames etc. as before. Torquay in January as usual; this was always a good rehearsal for the
International Spring Fair, but we faced the unknown with opening in the
National Exhibition Centre on Sunday 1 February – the first exhibition to be
held in this new venue. The Giftware
and Hardware trades had booked this together, occupying halls 3 and 5 around
the Piazza (that’s all there was in the beginning, before the expansion into
the huge complex it is today).
On Friday January 30 my diary states “dogs to kennels” and
on Saturday the comment reads “Go to Birmingham early”. We seem to have booked one double room and 2
single rooms in the Standbridge Hotel, Sutton Coldfield, from Saturday January
31 to Wednesday February 4 –which were actually booked well ahead in February
the previous year, as we had been warned of shortage of beds in reach of the
NEC. These would have been for John and
myself, Tony Osmond and another member of staff – or perhaps for someone like
our London agent John Reeder perhaps?
John had prepared detailed plans of our 10 ft square stand
which I still have, together with the full scale plan of Hall 3. There we are on Row K; it looks as if there must have been around
458 stands altogether. Sadly, I threw
away the trade show catalogues each year when the next year came out. The two cars were piled high with boxes of framed
prints and other material, plus all our luggage of course. I should add that we did not need to take
stands to Birmingham (or to Torquay), because we could attach the pictures to
the partition walls, whereas for Harrogate of course when we were in the
passage of the Crown Hotel, we had to go provided.
We drove north on the M5 - was the Avonmouth Bridge
completed yet, so perhaps we didn’t need to go through Bristol? However, the M42 was not yet built and
we would have turned off before spaghetti junction and threaded our way east
somehow to Solihull and then to the NEC.
Of course all the small exhibitors arrived about lunchtime
on the Saturday morning, but TPS (Trade Promotion Services) hadn’t planned for
this. Huge queues of cars and vans piled
up on the site, prevented from going any further by the chap in charge who
blocked the road and waved us to a halt.
“You will have to go into the car park and carry your merchandise to the
loading doors, as there is no more room nearer to the building”, he said,
having verified these instructions from a telephone in his little cabin.
We happened to be at the front of the queue and no way could
we carry all our stuff any distance – we hadn’t come prepared with sack trucks
–so we refused to obey. To our
surprise, the chap wilted at our determination. When we looked round, we could see why. A long row of cars and vans, their owners
standing in the road shaking their fists, were supporting us. So we all drove on, parking on the muddy
banks at the back of the building as no other space was provided. After an hour or two, the lights went out in
the hall and we were threatened by a loud speaker announcement: “Unless you move your cars, the lights will
not go on again”.
Somehow we must have managed to complete the stand according
to John’s plans and retreated to our hotel for a well earned supper.
During the five days of the fair, we would have been
supported by our sales agents with a rota set up beforehand, since of course
they had to spend some time with all their suppliers who had stands at a
particular trade show. The agents would
have a portfolio of six or more “principals” and would be paid on a commission
basis for the orders emanating from their areas – even if they hadn’t actually
visited the customer. Ray & Sybil
Curtis represented the West Country, but perhaps they didn’t come to Birmingham
as they had been well covered by Torquay a few weeks earlier, but John Reeder,
whom I have already mentioned, would have spent time with us, as well as Mona
Russell, who covered Lancashire and Yorkshire.
Bertram Ellis had begun carrying our pictures in February 1973 around
Scotland and the far north and was joined by his son Peter the following year,
when they covered 99 customers including the Castle Shop, Inverary; Fenwicks of Newcastle; and Gosdens of Tyndrum. The latter sold our pictures for several
years - we would always stop at their visitor centre to top up with petrol and
for a cup of tea towards the end of our long drive to Strontian for our summer
holiday in Scotland, before tackling Rannoch Moor and Glen Coe.
Here is a copy of the
sales account for the Ellises for April 1976 – it looks as if we had
constructed these sheets about 3 years previously and I have carefully chosen
one where no embarrassing unpaid accounts are listed! The original form is printed on foolscap
paper. Our staunch young secretary,
Linda Garland, would roll off copies of
these forms, using the roneo machine and a stencil which had been cut on a typewriter – a very dirty job
involving lots of ink.
The agents would have been consulted if new customers had
approached us, as we had a policy of not opening an account too close to an
existing shop. My criteria was about 10,000 population per
account, which I would check with the help of a handbook – perhaps one produced
by the RAC – which gave the size of the towns and villages across the UK. The Spring Fair was also an important time
when one was discovered by export customers;
Monsieur Dumont, Paris, found us
in this way, while the publicity in the trade press would have helped.
The record of sales at the NEC shows that we took £6,474.69
worth of business from Sunday to Wednesday – there seems to be no record for
the last day unfortunately.
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